editorial
Original ContentFresh from Joyner Lucas wishing death upon him on "Devil's Work," we examine how Death Row's Suge Knight became the most hated villain in hip-hop's collective history.ByRobert Blair20.9K Views
Original ContentAre hip-hop sequels a foregone conclusion?ByMitch Findlay17.3K Views
Original ContentIs this tour an indication that Lil Wayne will be blessing us with another rock-infused album?ByTaylor Rubright20.7K Views
Original ContentTrav should make a statement. ByKarlton Jahmal11.4K Views
Original ContentTen years after its release, "Tha Carter III" holds up in spite of— or maybe because of— its pop crossovers and weirdo ambition.ByPatrick Lyons35.8K Views
Original ContentWe reflect on the lasting legacy and influence of Odd Future.ByGus Fisher25.7K Views
Original ContentCan The Grammy Awards ever establish themselves as a credible critical source? ByMitch Findlay8.8K Views
Original ContentA case for Big Boi as one of hip hop's GOATs.ByPatrick Lyons12.3K Views
Original ContentThis year, we witnessed Gucci Mane reinvent himself in previously-unthinkable ways. ByPatrick Lyons9.9K Views
Original ContentBreaking down what makes Rick Ross a true boss. ByVince Rick11.7K Views
Original ContentLengthy tracklists are more than just a way to offer fans a lot of music by an artist they love; they're a tool to help achieve success as regulated by the RIAA. ByLuke Hinz14.9K Views
Original ContentNow that altering music in real time is more commonplace, we examine whether this is a helpful or harmful for the world of hip-hop and music at largeByRobert Blair3.9K Views
