album review
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Reviews Nas’s enduring lyrical skill shines over DJ Premier’s production in a way that serves as a fitting conclusion to the Legend Has It series.
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Aron A. -
Reviews "WHAT HAPPENED TO THE STREETS?" is a fitting installment in 21 Savage’s catalog, both a reckoning with the world he came from and the one he is carving out for himself.
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Aron A. -
Reviews Young Thug’s “UY Scuti” is messy and uneven yet vulnerable, offering flashes of his pre-incarceration brilliance without reclaiming the superstar stature that once placed him at rap’s upper echelon.
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Aron A. -
Reviews It says it right there on the box, and this uncompromising Future release doesn't need to change who "MIXTAPE PLUTO" is.
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Gabriel Bras Nevares -
Reviews Bryson Tiller’s hotly anticipated second album comes to us as a welcome surprise. Does "True to Self" go above and beyond, or does Pen Griffey swing and miss?
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Maxwell Cavaseno -
Reviews A handy guide to help you listen to Chris Brown's ambitious new album, "Heartbreak on a Full Moon."
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E Gadsby -
Reviews "Kiari" finds Offset asserting his personal and artistic identity through standout street bangers and poignant introspection, even as familiar tropes and uneven moments hold the project back.
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Aron A. -
Reviews "Infinite" is a proper send-off for Mobb Deep. Eight years after Prodigy’s death, Havoc recreates their familiar universe, honoring posthumous verses while showcasing his own evolution alongside The Alchemist.
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Aron A. -
Original Content In light of Drake's newly exposed DMs to Anthony Fantano, we revisit the YouTube music critic's past reviews of Drizzy's catalog.
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Joshua Robinson -
Reviews Gunna’s "The Last Wun" captures his shift from survival to self-preservation as he prepares for a new chapter in his career.
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Aron A. -
Reviews “Lonely At The Top” finds Joey Bada$$ balancing Brooklyn roots, growth, risk, and the consistency defining his decade-long career.
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Aron A. -
Music In this article we are discussing and ranking Juice Wrld's albums.
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Anthony Rivera -
Reviews Drake and PartyNextDoor's best collaborations have thrived in small doses, where their chemistry is complementary rather than forced. Stretching that formula across an entire album dilutes what makes their collaborative efforts work in the first place.
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Aron A. -
Reviews Rest assured, fans are going to feel right at home with Gunna’s latest album.
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Demi Phillips -
Reviews "Let God Sort Em Out" is a powerful Clipse comeback blending coke rap, spiritual growth, and grief, showcasing matured lyricism and Pharrell’s visionary production.
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Aron A. -
Reviews While "HARDSTONE PSYCHO" loses a bit of steam in its last third, it still triumphs as Don Toliver's most exhilarating album to date.
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Gabriel Bras Nevares -
Reviews JID loses a bit of his straightforward sharpness on here, but "God Does Like Ugly" balances his ambitions more brashly than ever before.
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Gabriel Bras Nevares -
Reviews Lil Wayne is trying to keep up when both the industry and the genre are moving on without him—and the result is a confusing album caught between eras, audiences, and expectations.
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Aron A. -
Reviews "WE DON'T TRUST YOU" is, in many ways, exactly what we expected. But the legendary trap duo proves that we are taking their talent for granted.
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Gabriel Bras Nevares -
Reviews A Boogie shows off a more vulnerable and mature side on his fifth LP.
By
Demi Phillips
