editorial
Original ContentTen years after its release, "Tha Carter III" holds up in spite of— or maybe because of— its pop crossovers and weirdo ambition.ByPatrick Lyons35.8K Views
Original ContentThis year, we witnessed Gucci Mane reinvent himself in previously-unthinkable ways. ByPatrick Lyons9.9K Views
Original ContentLengthy tracklists are more than just a way to offer fans a lot of music by an artist they love; they're a tool to help achieve success as regulated by the RIAA. ByLuke Hinz14.8K Views
Original ContentNicki Minaj's recent decision to stick to feature spots is a great move for the rapper: here's why.ByKemet High12.1K Views
Original ContentA case for Big Boi as one of hip hop's GOATs.ByPatrick Lyons12.3K Views
Original ContentExploring the perceived duality in the burgeoning r'n'b star, Summer Walker. ByMilca P.6.4K Views
Original Content"Horrorcore" is often considered a niche art-form, yet many mainstream producers have gladly drawn from the macabre. ByMitch Findlay16.1K Views
Original ContentThe art of competition. ByKarlton Jahmal21.3K Views
Original ContentWill Pusha T leave a lasting injury on Drake's career with "The Story of Adidon"? Or is this another example of the mundanity of beefing with Drake?ByNarsimha Chintaluri25.9K Views
Original ContentThe pseudo-intellectual dropped an absolute goose egg earlier this week that surprised no one.ByLuke Hinz8.9K Views
Original ContentAwful Records is one of the most important independent labels in the Atlanta hip-hop scene, jump-starting the careers of Playboi Carti, iLoveMakonnen, KEY! and more.ByGus Fisher7.8K Views
Original Content“Old Town Road” is gonna ride til’ the remixes can’t no more.ByLuke Hinz4.9K Views
