Doja Cat Proves Her Versatility On "Boss Bitch" Off The "Birds Of Prey" Soundtrack

BYLynn S.5.5K Views
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Atlantic Recording Corporation/Warner Bros. Entertainment Inc.Atlantic Recording Corporation/Warner Bros. Entertainment Inc.
Doja delivers with her "Birds of Prey" single.

When it was announced earlier this month that Doja Cat would be among the artists featured on the official Birds of Prey soundtrack dropping on February 7th, the moment couldn't come soon enough. Though Megan Thee Stallion and Normani dropped their collab, "Diamonds," for the soundtrack ahead of the film's release, but there was no guarantee that any other ladies on the hip-hop-heavy tracklist would be following in their footsteps. It was a pleasant surprise, then, when Doja revealed on Wednesday that her single, "Boss B*tch," from the film would be dropping on Thursday. The moment has arrived, and truth be told, Doja has absolutely smacked us over the head and delivered excellence with this track.

Spitting energetically over an infectious house beat, Doja's flow on "Boss B*tch" is reminiscent of an early Azealia Banks, particularly on the second pre-chorus. Of course, the track approaches the film's girl power messaging with a braggadocious, unapologetic attitude mirroring the core theme executed in "Diamonds" both lyrically and sonically, though with less seduction and more intimidation. The "Juicy" rapper even seems to give a shoutout to one of her Birds of Prey soundtrack-mates in the line, "I been a stallion, you been a seahorse."

What "Boss B*tch" serves to do, if nothing else, is to reaffirm Doja's ability to adapt. She is constantly reinventing herself with a yet another new sound, and this track just further proves her versatility as an artist.

Quotable Lyrics

You ain't even here to party
Ken in the club tryna pipe a Barbie
I don't wanna go go go with the flow
Back bend till I touch my toes
I don't wanna row row row the boat
Wrist full of rocks and I hope I float


About The Author
<b>Staff Writer</b> <!--BR--> Originally from Vancouver, Lynn Sharpe is a Montreal-based writer for HNHH. She graduated from Concordia University where she contributed to her campus for two years, often producing pieces on music, film, television, and pop culture at large. She enjoys exploring and analyzing the complexities of music through the written word, particularly hip-hop. As a certified Barb since 2009, she has always had an inclination towards female rap.
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