Reviews
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Reviews Big Boi gets back to hip hop on "Boomiverse," but his approach still remains scattered.
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Patrick Lyons -
Reviews Kevin Gates delivers his most stylistically consistent tape yet, though "Murder For Hire 2" does lack a bit of excitement.
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Patrick Lyons -
Reviews Lil Uzi Vert and Gucci Mane team up for "1017 vs. The World," a hasty trial run that ultimately feels unnecessary.
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Narsimha Chintaluri -
Reviews Wayne's "Mixtape Blueprint" isn't as thrilling as it once was, but he's the only person who can still pull it off.
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Trevor Smith -
Reviews Nas’ latest effort, “Life Is Good” proves that hip hop is alive and well, and is littered with classic New York sounds. The legend has further cemented himself among hip hop royalty.
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Anya Leibovitch -
Reviews Reflecting on A$AP Rocky's debut.
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Rose Lilah -
Reviews After a series of delays and push backs, Pusha T finally releases his long-awaited album "My Name Is My Name" to mark the start of his reign as a solo kingpin rapper.
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Iva Anthony -
Reviews Rather than fall into the dreaded one-hit-wonder territory, Lil Nas X takes a scattergun approach to genre on "7."
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Robert Blair -
Reviews More unfazed than upset, Drake's "Scorpion" is anchored by the weight of its own expectation, despite moments of brilliance.
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Mitch Findlay -
Reviews Big Boi offers up a solid yet experimental sophomore solo album with Vicious Lies and Dangerous Rumors.
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Iva Anthony -
Reviews Focusing on both his own personal tragedies as well as those facing the Black community at large, Reason has delivered a body of work that entertains while also examining his vulnerabilities.
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Richard Bryan -
Reviews Vince Staples' "Prima Donna" EP may not top his last album, but it shows definite progression.
By
Patrick Lyons