Joe Budden Explains Why Kanye West, Jay-Z & Rihanna Have More "Leverage" Than Drake, Lil Wayne & Nicki Minaj

BYGabriel Bras Nevares1.7K Views
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The 55th Annual GRAMMY Awards - Backstage
LOS ANGELES, CA - FEBRUARY 10: Beyonce, Jay-Z and Drake attend the 55th Annual GRAMMY Awards at STAPLES Center on February 10, 2013 in Los Angeles, California. (Photo by Kevin Mazur/WireImage/Getty Images)
The Roc and Cash Money are still on top... and at odds.

The Joe Budden Podcast recently discussed the long-standing and complex rivalry between the Roc-A-Fella and Cash Money camps, plus their ensuing protégés and branched-off cliques. Specifically, the program's titular host doesn't want folks to compare Lil Wayne, Drake, and Nicki Minaj to Jay-Z, Kanye West, and Rihanna for a few reasons. He posited that Hov was able to form necessary industry relationships and then leave to lead his own endeavors, although cohosts Ice and Ish suggested that the New York rapper entered the game with much more independence and autonomy than someone like Drizzy did. Specifically, this is in regards to owning his material.

While Joe Budden disagreed and suggested that Jay-Z worked to get out of an exploited position, all agreed that there was still a big level-up that Jay took to become so massive, something that the Cash Money (specifically Young Money) camp has yet to do in their eyes. One factor they presented was domination in the industry and from a product standpoint – in this case, music. Ish also brought up Hov's marriage to Beyoncé and his move into other side ventures that generated a lot of money.

The Joe Budden Podcast Compares Jay-Z's Moves To Drake's

Overall, this contributes to The Joe Budden Podcast's notion that people like Jay-Z, Kanye West, and Rihanna have more "leverage" than Drake, Lil Wayne, and Nicki Minaj due to their extracurricular projects and streams of massive revenue that land them in a top-tier industry spot. "Y'all not the only people that feed me," Ish characterized the Roc family's position of negotiations with the music industry. Of course, all of this ties back to the OVO mogul's moves against UMG and Spotify in the legal space.

Elsewhere, Joe Budden doesn't think there's a blueprint to this process, and that it's up to each artist who makes it in the industry to find their exit out of it. It's all a debate around how to manage your money and power, especially if you want to stay true to your own goals. The Jay-Z/Drake debate has a new angle now thanks to this legal action, and that exhausting conversation will just keep on going.

About The Author
Gabriel Bras Nevares is a staff writer for HotNewHipHop. He joined HNHH while completing his B.A. in Journalism & Mass Communication at The George Washington University in the summer of 2022. Born and raised in San Juan, Puerto Rico, Gabriel treasures the crossover between his native reggaetón and hip-hop news coverage, such as his review for Bad Bunny’s hometown concert in 2024. But more specifically, he digs for the deeper side of hip-hop conversations, whether that’s the “death” of the genre in 2023, the lyrical and parasocial intricacies of the Kendrick Lamar and Drake battle, or the many moving parts of the Young Thug and YSL RICO case. Beyond engaging and breaking news coverage, Gabriel makes the most out of his concert obsessions, reviewing and recapping festivals like Rolling Loud Miami and Camp Flog Gnaw. He’s also developed a strong editorial voice through album reviews, think-pieces, and interviews with some of the genre’s brightest upstarts and most enduring obscured gems like Homeboy Sandman, Bktherula, Bas, and Devin Malik.
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