Kendrick Lamar Reference Track For Baby Keem Allegedly Surfaces Online

BYGabriel Bras Nevares34.9K Views
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Chanel : Front Row - Paris Fashion Week - Haute Couture Spring/Summer 2024
PARIS, FRANCE - JANUARY 23: (EDITORIAL USE ONLY - For Non-Editorial use please seek approval from Fashion House) Dave Free, Naomi Campbell and Kendrick Lamar attend the Chanel Haute Couture Spring/Summer 2024 show as part of Paris Fashion Week on January 23, 2024 in Paris, France. (Photo by Pascal Le Segretain/Getty Images)
There's a lot of conversation around reference tracks these days, and this Kendrick Lamar and Baby Keem exchange adds to that flare-up.

There's a lot of conversation around reference tracks these days, particularly due to some recent leaks of songs that people have apparently helped Drake in making. However, a reference track doesn't necessarily indicate a lyrical ghostwriter, so maybe The Boy's gotten some undue hate for his references from PARTYNEXTDOOR, Lil Yachty, and more. Regardless, there's a lot of debate over whether borrowing cadences or taking prompted and consensual inspiration from other artists is the same as using someone else's lyrics. Either way, the discussion gets even murkier when you try to hold folks to a double standard, as Kendrick Lamar and Baby Keem allegedly proved recently through a leak that writing for others is pretty common.

Moreover, a new alleged reference track surfaced online, and it's Kendrick Lamar's take on Baby Keem's 2019 track "BULLIES" off of DIE FOR MY B***H. You can hear it by clicking the "Via" link down below, and there's no real confirmation of whether or not this is A.I., who wrote which parts, etc. But it sounds pretty legit as opposed to other allegedly debunked leaks, and you can make the judgement call for yourself, but it's pretty interesting to see the formation of Keem's mixtape. We also know that they've collaborated on a lot of tracks in the past, so this isn't really a surprising alleged leak.

Baby Keem Performs With Kendrick Lamar At Formula One Event

LAS VEGAS, NEVADA - FEBRUARY 08: Baby Keem performs onstage during the Visa Cash App RB Formula One Team 2024 Livery Reveal on February 08, 2024 in Las Vegas, Nevada. (Photo by Stefanie Keenan/Getty Images for Cash App)

Furthermore, there have been other leaks from Kendrick Lamar recently, which resurfaced right before he responded to Drake with "Euphoria." But these concerned more unreleased material and earlier versions of some of his own cuts, so it's not a one-to-one comparison here. Still, folks have different goalposts for how to perceive, interpret, and critique the use of writers. Is it only relevant when you claim to be the GOAT like Drizzy or is it reprehensible no matter your fame or the nature of your song?

After all, it's one thing to ghostwrite or give the flow for "BULLIES" and it would be another thing entirely than, say, a more lyrically dense and personal song like the "family ties" verse. While a lot of the conversation is around Drake right now, some fans need to realize this is more of a commonality than what the industry puts on. Kendrick Lamar may be the "ghostwriter" here, but no one is immune to some accusations, inspiration, and uncredited influence. Like many other elements of the rap world, it's just a case by case basis for the most part.

About The Author
Gabriel Bras Nevares is a staff writer for HotNewHipHop. He joined HNHH while completing his B.A. in Journalism & Mass Communication at The George Washington University in the summer of 2022. Born and raised in San Juan, Puerto Rico, Gabriel treasures the crossover between his native reggaetón and hip-hop news coverage, such as his review for Bad Bunny’s hometown concert in 2024. But more specifically, he digs for the deeper side of hip-hop conversations, whether that’s the “death” of the genre in 2023, the lyrical and parasocial intricacies of the Kendrick Lamar and Drake battle, or the many moving parts of the Young Thug and YSL RICO case. Beyond engaging and breaking news coverage, Gabriel makes the most out of his concert obsessions, reviewing and recapping festivals like Rolling Loud Miami and Camp Flog Gnaw. He’s also developed a strong editorial voice through album reviews, think-pieces, and interviews with some of the genre’s brightest upstarts and most enduring obscured gems like Homeboy Sandman, Bktherula, Bas, and Devin Malik.
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