Beyonce Taps Hit-Boy For New Country Songs: See Full Production Credits

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65th GRAMMY Awards - Show
LOS ANGELES, CALIFORNIA - FEBRUARY 05: Beyoncé accepts Best Dance/Electronic Music Album for “Renaissance” onstage during the 65th GRAMMY Awards at Crypto.com Arena on February 05, 2023 in Los Angeles, California. (Photo by Emma McIntyre/Getty Images for The Recording Academy)
Other songwriters, producers, and personnel include Raphael Saadiq, nathan ferraro, Dave Hamelin, Atia Boggs, and Queen Bey herself.

Beyonce's country era is officially here, and ahead of Act II's release on March 29, she surprise-dropped two new singles for the album. These are "16 CARRIAGES" and "TEXAS HOLD 'EM," and folks are loving the songwriting, vocal performance, and instrumental aesthetics behind them. As expected, they both had a lot of hands working on them, and we now have the full list of production credits. On both songs, the Houston icon produced, composed, wrote lyrics, was the associated performer, provided vocals, and was also the main vocal producer. Mariel Gomerez was the A&R director for both, and Matheuz Braz was the assistant engineer.

Raphael Saadiq, a frequent collaborator in the Beyoncé universe, composed and wrote lyrics for both cuts. Stuart White also provided production on both and was a recording and mixing engineer for them, whereas Andrea Roberts engineered them and Colin Leonard was the mastering engineer. That's all the overlap; now, let's move into "16 CARRIAGES" specifically. Its producers include Dave Hamelin and Ink, with Hamelin and Atia Boggs also composing and writing lyrics. Saadiq was also an additional producer here, Hamelin and Ink provided guitar, Hamelin and Gavin Williams played the organ, and Hamelin played the piano.

Beyonce's "16 CARRIAGES" & "TEXAS HOLD 'EM": Stream

Furthermore, Dave Hamelin was also a recording engineer, Justin Schipper and Robert Randolph played steel guitar, Hamelin also took over synth duties, and Ryan Svendsen played the trumpet. Now onto Beyonce's "TEXAS HOLD 'EM": for this one, acclaimed beatsmith Hit-Boy provided additional production along with Mariel Gomerez, and also did some synthesizer work. Its producers are Killah B (who also did drums) and nathan ferraro (who also played bass and piano, plus has lyric and composition credits). Brian Bates, Elizabeth Lowell Boland (who also played piano), and Megan Bülow helped compose and write lyrics for this track.

Rhiannon Giddens played banjo and viola, and Raphael Saadiq (who also was co-producer and played drums, organ, and piano) and Khirye Tyler (who also played piano) take over bass duties. Meanwhile, "TEXAS HOLD 'EM" also has a couple more recording engineers. These are Alex Nibley and Hotae Alexander Jang. Check out fan reactions to this new era here, and let us know what you thought of these two new songs in the comments section below. Also, stick around on HNHH for the latest news and updates on Beyonce.

About The Author
Gabriel Bras Nevares is a staff writer for HotNewHipHop. He joined HNHH while completing his B.A. in Journalism & Mass Communication at The George Washington University in the summer of 2022. Born and raised in San Juan, Puerto Rico, Gabriel treasures the crossover between his native reggaetón and hip-hop news coverage, such as his review for Bad Bunny’s hometown concert in 2024. But more specifically, he digs for the deeper side of hip-hop conversations, whether that’s the “death” of the genre in 2023, the lyrical and parasocial intricacies of the Kendrick Lamar and Drake battle, or the many moving parts of the Young Thug and YSL RICO case. Beyond engaging and breaking news coverage, Gabriel makes the most out of his concert obsessions, reviewing and recapping festivals like Rolling Loud Miami and Camp Flog Gnaw. He’s also developed a strong editorial voice through album reviews, think-pieces, and interviews with some of the genre’s brightest upstarts and most enduring obscured gems like Homeboy Sandman, Bktherula, Bas, and Devin Malik.
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