50 Cent Reposts Mase's Old Diddy-Dissing Freestyle: Watch

BYGabriel Bras Nevares11.1K Views
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2005 Spike TV Video Game Awards - Backstage and Audience
Mase and 50 Cent during 2005 Spike TV Video Game Awards - Backstage and Audience at Gibson Amphitheater in Universal City, California, United States. (Photo by Jeff Kravitz/FilmMagic/Getty Images)
Many folks on social media shared their admiration for this off-the-dome dig at Sean Combs, which obviously has a much different context now.

50 Cent and Mase took various shots at Diddy for his sexual assault accusations. The G-Unit mogul recently shared an old freestyle of the Jacksonville native's in which he disses Sean Combs. "this might be the illest Ma$E verse ever!!!!" one fan expressed on social media. "Empty pipes when cliques get called," Mase spits. "And go to church on Sunday, I'm the illest of all. Don't ever put Mase with other Bad Boys who had hardships, you know I get it jumping like a mosh pit, n***a. On the verse level, dirt level, I can never work level. N***as mad I made it to the 'I would never work' level. Since Cain killed Abel, I'm able to kill Cain, and Love don't steal, my n***a, change your name. I see no integrity in your name, and I'm haunted by the Ghost of St. James.

"Champagne king, match my Rollie, Plain Jane. And I say, thank God I ain't changed, and if n***as never found the killer, why is n***as living, then? Everybody broke, n***as gotta blame the visionary. N***as be selling they soul to go to a brunch, n***as might end up sweet, drinking that punch. I suffer good, and n***as know I'm from another hood. Forget a brotherhood, I'm trying to make sure that my mother good. I ain't Sheek, but I'm really colder than Ghost. No matter who top five, I'm one colder than most. I'm the ghost of Wolf, ghost of RZA, come with the facts you never considered. I'm the ghost of Shyne, I speak for every artist that never spoke they mind, representing every artist that was left behind, from Craig Mack to G. Dep. I still remember them kids chanting for every producer you ever stole a sample.

Mase's Old Freestyle Targeting Diddy: Watch

"Why you playing with me knowing I make examples? N***as hide behind money, you know that's not a man move. You know you Frank and I'm Tony, you know that it would get lonely. It's never safe if you owe me, you know that saying's true. You had a chance to do right, now understand it. You can't starve a n***a that came from Wicked, can you? Karma came and gave him daughters for what he did to Kim Porter, made the day he dies, he rest in piss water! He could've changed his life, that n***a could've saved his life. Now it ain't no way to fight, now he waving white. I know your strategies and what your habits be. Right now, I got a role in your faculties, so when you get the nerve to come after me, with audacity.

"Gotta know that dollar sign wasn't rapping free. Actually, after Big died, what a travesty. When Mase left, n***a, wasn't nobody after me. Guess I got the last laugh... They ain't laughing, huh? N***as stay strapping up, '94 massacre, can't blackball Mase, the ball ain't Black enough. Tupac chorus, n***a, I ain't even mad at you. Pretty n***a always make their hearts melt, yeah. Yes, you can say I know how 'Pac felt. I'm just a Harlem n***a riding down a Vegas strip with my own Suge, you from Mount Vernon, n***a, go and rep your own hood! I'm not hating on your Billy worth. Right now, I'm only saying what you really worth. You ain't an architect, you just a n***a that market death. Go pay his mother what she really worth, n***a." For more on these artists, stay logged into HNHH.

About The Author
Gabriel Bras Nevares is a staff writer for HotNewHipHop. He joined HNHH while completing his B.A. in Journalism & Mass Communication at The George Washington University in the summer of 2022. Born and raised in San Juan, Puerto Rico, Gabriel treasures the crossover between his native reggaetón and hip-hop news coverage, such as his review for Bad Bunny’s hometown concert in 2024. But more specifically, he digs for the deeper side of hip-hop conversations, whether that’s the “death” of the genre in 2023, the lyrical and parasocial intricacies of the Kendrick Lamar and Drake battle, or the many moving parts of the Young Thug and YSL RICO case. Beyond engaging and breaking news coverage, Gabriel makes the most out of his concert obsessions, reviewing and recapping festivals like Rolling Loud Miami and Camp Flog Gnaw. He’s also developed a strong editorial voice through album reviews, think-pieces, and interviews with some of the genre’s brightest upstarts and most enduring obscured gems like Homeboy Sandman, Bktherula, Bas, and Devin Malik.
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