Outkast's "Speakerboxxx/The Love Below": 2 Decades Of Mastery

BY Erika Marie 899 Views
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Outkast, Spotify
Big Boi and André 3000's "Speakerboxxx/The Love Below" changed the way Hip Hop viewed collaborative albums—and no one could duplicate Outkast's eclectic delivery.

Hip Hop thrived as the millennium turned. Atlanta's beloved sons, Outkast, stood a class apart within this cultural kettle. Their tracks weren’t just auditory treats but cerebral journeys, weaving Funk, Blues, Jazz, Soul, and Rap into a sound previously uncharted. Each album, a genre-defying opus, teased the listener's intellect while tantalizing their soul.

By the time 2003 rolled around, Big Boi and André 3000 were cemented legends. Fans were ready for another sonic masterpiece, and the air was thick with anticipation. Then, through the vast spectrum of artists pushing their CDs, Outkast prepared to drop a double-disc album that shook Hip Hop's foundations: Speakerboxxx/The Love Below. The September 23 arrival was more than a musical compilation of longtime friends, groupmates, and collaborators. It was a fitting addition to their discography's evolution. Three Stacks and Big Boi, while intrinsically tied to the core of Outkast, highlighted their individual talents, paying homage to the multifaceted ancestral musical legacy that often motivated their dreams. We're revisiting the Speakerboxxx/The Love Below during its monumental anniversary—especially as the project has been RIAA, Diamond-certified 13x Platinum.

The Balance

Big Boi's Speakerboxxx pulses with unmistakable Southern Rap energy on one side of this double disc. Funk's rhythmic essence enriches it, with songs such as "The Way You Move" and "Bowtie" ensnaring the listener to groove. Every track feels like an exploration with Big at the helm, narrating stories and evoking emotions. Yet, venturing into Andre 3000's domain, The Love Below offers a different allure. While "Hey Ya!" might have the globe in a dance frenzy, introspective numbers like "Prototype" showcase a deeper, Jazz-tinged resonance.

Additionally, the double album's production team—including Stacks, Big, Carl Mo, Cutmaster Swiff, Mr. J, and Dojo5—brought their A-game, ensuring the right notes were hit. Moreover, while the brilliance of Speakerboxxx/The Love Below undeniably stems from the genius of Big Boi and Andre 3000, it’s equally a culmination of collective artistry. The diverse sounds and the complementary verses weren’t just a duo's vision but an amalgamation of remarkable talents.

Collaborative Genius: The Artisans Behind The Sound

The allure of Speakerboxxx and The Love Below isn’t confined to the duality of Outkast—their chosen collaborators magnify it. From Ludacris to Kelis, these collaborations were no mere additions. They were carefully selected components that gave depth and perspective to each track.

Take, for example, Speakerboxx adding Sleepy Brown and Jazze Pha to the aforementioned "Bowtie," the hypnotic horn-infused body-mover. Just a few songs later, Killer Mike and Jay-Z join Speakerboxx's "Flip Flop Rock," a fast-moving track that pushes the listener from one verse to the next. On The Love Below, Kelis infuses R&B into the experimental "Dracula's Wedding," while Rosario Dawson helps make "She Lives in My Lap" a sonic film.

The Definition Of A Classic

In an industry where collaborations often gravitate towards big names for commercial appeal, Outkast’s approach was refreshingly different. Their choice of collaborators was rooted in artistic compatibility rather than mere star power. It was about finding voices and talents that resonated with the core essence of their project, ensuring Speakerboxxx/The Love Below was a cohesive masterpiece rather than a disjointed collection. Every guest artist and instrumentalist was a piece of the puzzle, vital in crafting an album that stands, even today, as an epitome of excellence in Hip Hop.

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About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming a Features Editor, highlighting long-form content and interviews with some of Hip Hop’s biggest stars. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, Amy Luciani, and Omerettà—to gain their perspectives on a fast-paced industry.