Willie D Blasts Grammys For Including Scarface, But Not Geto Boys, In Hip-Hop Tribute

BYGabriel Bras Nevares2.3K Views
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The Recording Academy apparently did not reach out to the legendary Houston rap group's other living member to perform at the ceremony.

While it's impossible to fit every hip-hop icon into one performance for its 50th anniversary, some omissions feel easily avoidable. Willie D just called out the Grammys for inviting Scarface to perform, but not the rest of the Geto Boys. Moreover, Scarface delivered his verse on the 1991 classic "Mind Playing Tricks On Me." The fantastic homage at the 65th annual Grammy Awards in Los Angeles' Crypto.com Arena on Sunday (February 5). Also, the near-14-minute show included many legends, from Grandmaster Flash and the Furious Five to Nelly and even Lil Baby. However, when Scarface delivered the medley's first Southern staple, his fellow Geto Boy Willie D was nowhere to be seen.

ST. LOUIS - OCTOBER 1991: Rappers Willie D. (William James Dennis) and Scarface (Brad Terrence Jordan) of The Geto Boys performs at The Arena in St. Louis, Missouri in October 1991. (Photo By Raymond Boyd/Getty Images)

Afterwards, Willie took to Instagram to express his frustrations. Moreover, he's the only other living member of the Houston group, as Bushwick Bill passed away in June of 2019. “A reminder to the Grammys and all the rest of y’all out there trying to hustle the Geto Boys brand by only including Scarface, who had a stellar solo career: How in the hell are you gonna have a 50-year tribute to Hip Hop and not include Geto Boys the group?" Willie asked. "If you forgot, the group includes Scarface and Willie D. How you gonna use a performance that includes a song that I co-wrote but not even have the decency, the respect to reach out to me and ask me if I wanted to participate? Y’all are some clowns for that. All the way out of pocket. Whoever made the call, y’all some clowns… No more talking.”

Also, he captioned his post with "“Disrespectful Mofos!!! No mo’ talk." In fact, some people even questioned why Scarface himself didn't give him a call or decline performing without him. Still, Questlove clearly curated this spectacle with a lot of heart and passion. With that in mind, we don't know who was directly responsible for this specific decision. Regardless, the Roots drummer partnered with Nas's Mass Appeal to bring hip-hop's fifty years to life. “Hip Hop has been a driving force in the music and the culture,” he expressed. “It’s had an immeasurable impact on our culture and our world and I’ve had the great privilege of co-curating this thing with the Roots and many others that are gonna join us that night.”

Meanwhile, LL Cool J finished the performance with a hopeful gaze towards the future, and by acknowledging the long journey. “From The Bronx to the five boroughs, to the West Coast to the Heartland; overseas to Europe, to Africa, to Asia; TikTok, whatever’s next,” he said. “Because thanks to the 33 Hip Hop artists on stage and the countless more we love, Hip Hop is a global platform today. We’re celebrating. Happy 50th anniversary to Hip Hop, baby!” Come back to HNHH for the latest news on the Grammys, hip-hop history, and underrepresented legends.

About The Author
Gabriel Bras Nevares is a staff writer for HotNewHipHop. He joined HNHH while completing his B.A. in Journalism & Mass Communication at The George Washington University in the summer of 2022. Born and raised in San Juan, Puerto Rico, Gabriel treasures the crossover between his native reggaetón and hip-hop news coverage, such as his review for Bad Bunny’s hometown concert in 2024. But more specifically, he digs for the deeper side of hip-hop conversations, whether that’s the “death” of the genre in 2023, the lyrical and parasocial intricacies of the Kendrick Lamar and Drake battle, or the many moving parts of the Young Thug and YSL RICO case. Beyond engaging and breaking news coverage, Gabriel makes the most out of his concert obsessions, reviewing and recapping festivals like Rolling Loud Miami and Camp Flog Gnaw. He’s also developed a strong editorial voice through album reviews, think-pieces, and interviews with some of the genre’s brightest upstarts and most enduring obscured gems like Homeboy Sandman, Bktherula, Bas, and Devin Malik.
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