Ashanti Initially Didn't Like Her Hit Song "Baby": "I Remember Fighting With Everybody"

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The R&B icon explained why she argued with everyone in the studio about the track, but now, she's in love with the record.

She may have been hesitant about putting this track on her debut album, but "Baby" has gone on to become an unforgettable Ashanti classic. The former Murder Inc. hitmaker is celebrating the 20th anniversary of her self-titled debut that brought us favorites including "Happy," "Foolish," and "Unfoolish" featuring Biggie Smalls. Two decades later and Ashanti continues to tour the world and sing songs from the project, and in a chat with Vibe, she revealed that "Baby" was an inclusion that she was not fond of when crafting her tracklist.

"I didn’t like 'Baby.' Yeah, that was an argument (laughs). It was crazy," she told the outlet.

Bennett Raglin / Stringer / Getty Images

"I don’t know. I felt like, I liked what I wrote, but it was a different vibe because it’s such a low register, you know, slow," Ashanti added. "But it was a vibe and I was a little nervous. To be released as a single is something different than an album cut, you know? So [when] making the album, I didn’t know which ones were gonna go and be picked as a single, but I remember fighting with everybody in the studio. They was just like, 'No, shut up! You’re doing it.' (Laughs) I’ll give them that!" 

Thankfully, the song grew on her and she now says she "absolutely" loves the record.

"I love just conceptually how I flipped it and going back and forth with the ad-libs and the verse and the metaphors. I love the record. But I was just nervous about it because it was different."

Revisit "Baby" below to take a walk down R&B memory lane.

[via]


About The Author
Erika Marie is a seasoned journalist, editor, and ghostwriter who works predominantly in the fields of music, spirituality, mental health advocacy, and social activism. The Los Angeles editor, storyteller, and activist has been involved in the behind-the-scenes workings of the entertainment industry for nearly two decades. E.M. attempts to write stories that are compelling while remaining informative and respectful. She's an advocate of lyrical witticism & the power of the pen. Favorites: Motown, New Jack Swing, '90s R&B, Hip Hop, Indie Rock, & Punk; Funk, Soul, Harlem Renaissance Jazz greats, and artists who innovate, not simply replicate.
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