Too Short Recalls Refusing To Listen To Kanye West's Beats Decades Ago

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Too Short
“I’ve done some dumb sh*t in my life, but that’s up there at the top of the list of dumb sh*t," Short Dog admitted.

There are thousands of "missed opportunity" stories in the entertainment industry, especially Hip Hop, and Too $hort recently shared one of his regrets. With a career that spans almost 40 years, Short Dog has often been approached by up-and-coming rappers or producers who are interested in collaborating with the Rap icon. Understandably, not everyone gets their wish, but during a recent sit down with VladTV, Too $hort revisited a memory when he opted to not work with a budding producer by the name of Kanye West many years ago.

“I remember Scarface called me. He was in New York, he was like, ‘I got the coldest motherf*ckin' producer.’ And you know what I told him? He was talking about Kanye West,” said Short. “You know what I told him? I was in Atlanta, I was like, ‘We got all the producers with me. I don’t need no new producers.’"

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“And he was like, ‘I swear to God,' I don't remember the number and I don't want to disrespect Kanye, but I swear he said, 'He’s the coldest motherf*cker in the world out here in New York, he’s from Chicago.’ He told me his name, everything. He said, ‘$2,000 a beat... It’s the sh*t!’ And I was like, ‘Man, we got producers.'"

Short said that Scarface even sent him samples of the beats but he didn't even listen to them.

“I’ve done some dumb sh*t in my life, but that’s up there at the top of the list of dumb sh*t. Turning down young Kanye beats before the price went up," he added. "I'm a music guy, I live around music guys! We didn't need no f*ckin' beats, but damn, if I would’ve knew. I didn't have no damn psychic around me or a crystal ball. I didn’t know.”

 Watch Too $hort talk about his regrets below.


About The Author
Erika Marie is a seasoned journalist, editor, and ghostwriter who works predominantly in the fields of music, spirituality, mental health advocacy, and social activism. The Los Angeles editor, storyteller, and activist has been involved in the behind-the-scenes workings of the entertainment industry for nearly two decades. E.M. attempts to write stories that are compelling while remaining informative and respectful. She's an advocate of lyrical witticism & the power of the pen. Favorites: Motown, New Jack Swing, '90s R&B, Hip Hop, Indie Rock, & Punk; Funk, Soul, Harlem Renaissance Jazz greats, and artists who innovate, not simply replicate.
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