Jennifer Hudson Wins Tony, Achieves EGOT Status

BYGabriel Bras Nevares3.3K Views
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Jennifer Hudson
The "American Idol" icon has won an Emmy, a Grammy, an Oscar, and now a Tony Award.

As one of Time's 100 most influential people in the world in 2020, Jennifer Hudson continues to shine bright as one of the industry's biggest stars. At last night's 2022 Tony Awards, the Empire actress and American Idol star won a Tony for Best Musical for the play A Strange Loop, which she produced. The musical, which centers around the mental health of a gay black man, beat out Girl From the North CountryMJ The MusicalMr. Saturday NightParadise Square and SIX: The Musical for the award.

Hudson won an Oscar in 2007 for her role in the film Dreamgirls, a Grammy for her contributions to the Broadway cast album of The Color Purple in 2017, another Grammy in 2009 for her self-titled debut album, and a Daytime Emmy in 2020 as a producer for the short Baby Yaga. Recently, Jennifer Hudson starred in the Aretha Franklin biopic Respect


Jenniffer Hudson had joked with People Magazine in a 2020 interview about receiving an EGOT. Funnily enough, she attributes her Grammys and Oscar to her dogs, of all people.

"I should get two more dogs... I got a dog and named it Oscar, and then I won my Oscar," said Hudson. "And then I got a dog and named it Grammy, and then I won my Grammy... So I think I should get some dogs and name them Emmy and Tony — and it’ll give me good luck, and I’ll win. [They’re] like my good luck charms."

Congrats to Hudson!

Jennifer Hudson and Michael R. Jackson, who wrote "A Strange Loop," at the 2022 Tony Awards - Cindy Ord/Getty Images

About The Author
Gabriel Bras Nevares is a staff writer for HotNewHipHop. He joined HNHH while completing his B.A. in Journalism & Mass Communication at The George Washington University in the summer of 2022. Born and raised in San Juan, Puerto Rico, Gabriel treasures the crossover between his native reggaetón and hip-hop news coverage, such as his review for Bad Bunny’s hometown concert in 2024. But more specifically, he digs for the deeper side of hip-hop conversations, whether that’s the “death” of the genre in 2023, the lyrical and parasocial intricacies of the Kendrick Lamar and Drake battle, or the many moving parts of the Young Thug and YSL RICO case. Beyond engaging and breaking news coverage, Gabriel makes the most out of his concert obsessions, reviewing and recapping festivals like Rolling Loud Miami and Camp Flog Gnaw. He’s also developed a strong editorial voice through album reviews, think-pieces, and interviews with some of the genre’s brightest upstarts and most enduring obscured gems like Homeboy Sandman, Bktherula, Bas, and Devin Malik.
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