Akon Suggests T-Pain's Career Dwindled Because He "Confined His Music To Urban"

BY Erika Marie 22.5K Views
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Akon, T-Pain, Konvict Music
Akon signed T-Pain to Konvict Music many years ago and discussed why the autotune icon has reportedly stalled.

He's a Grammy Award-winning artist with a string of classics under his belt, but Akon believes that T-Pain could have reached heights beyond what he's already accomplished. "Bartender," "I'm Sprung," and "Buy U a Drank" are just a few T-Pain favorites that can get the club jumping and Akon helped launch the autotuned singer's career after signing him to Konvict Music back in the day. Akon reflected on almost creating a supergroup with T-Pain and Pharrell, at the guise of Nelly, but it fell through. During the conversation with VladTV, the host argued that Future took over T-Pain's spot in the industry and asked Akon why he believes that happened to the "Can't Believe It" artist.

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They both agreed that T-Pain is extremely talented, but examined "why people stopped f*ckin' with him to the same extent" as they did in the past. Akon said, "I think one of the major reasons is that T-Pain never left the hood. He just confined his music to urban music... That was it. I saw T-Pain as another me, to be able to cross outside of urban. Go into pop, go into EDM, go into Latin—I still think 'til this day he still can do it."

Akon added that at this stage of T-Pain's career, he would advise him to try his hand in the Latin market. "You and I know better than anybody, urban audiences aren't loyal," he said. "Every year there's a new n*gga. Every year. So, you gotta take full advantage, maximize your urban presence, and then right as that side n*gga come in, you exit... Hip hop, it's a [stick] and move. It don't stick around long enough unless you continue to reinvent yourself."

This has been an argument that many have had for some time against hip hop and rap fans. Do you agree with Akon about T-Pain's career and what he had to say about "urban audiences"?


About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming a Features Editor, highlighting long-form content and interviews with some of Hip Hop’s biggest stars. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, Amy Luciani, and Omerettà—to gain their perspectives on a fast-paced industry.