Fake Streams Could Cost Artists & Labels $300M In Revenue A Year: Report

BYAron A.2.1K Views
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In this photo illustration, the logos of the applications, Spotify, Apple Music and Deezer are displayed on the screen of an iPhone on April 08, 2019 in Paris, France. The number of paying subscribers to the music streaming service of Apple Music has for the first time exceeded that of Spotify customers in the US. The two platforms now have 28 and 26 million paying users, respectively, sources told the Wall Street Journal.
Someone let ScHoolboy Q that the machine that fakes streams has been identified.

Artists faking their streams and views is not a secret to anyone really. It's a known practice within the music industry that's caused a lot of controversy in the past. However, that hasn't prevented labels and artists from inflating their numbers. In a new report from Rolling Stone, Hopeless Records founder Louis Posen said that he suspects labels and artists are losing "$300 million in potential revenue" due to fake streams. "Computerized click farms and bots" have become a growing issue in the music industry with streams coming from fake profiles and users.

Posen began looking into this issue after a song released from his label received "35,000 streams a day for three consecutive days" following the track's addition to six separate Spotify playlists. Posen then began investigating the matter due to how suspicious it seemed. "The playlists were created recently; they gained a bunch of followers in one week; they’ve never gained another follower since then; and all the plays happened in a three-day period," Posen said. Posen continued to explain that there have been people who have  "hacking into legitimate accounts and streaming from those accounts when they’re not streaming music."

Paid playlist placements have also become a source of influence streaming numbers. "Playlisters create a network, and are like, ‘I have access to a million monthly listeners,'" an anonymous source said. "Artists pay for [access to] that."


About The Author
Aron A. is a features editor for HotNewHipHop. Beginning his tenure at HotNewHipHop in July 2017, he has comprehensively documented the biggest stories in the culture over the past few years. Throughout his time, Aron’s helped introduce a number of buzzing up-and-coming artists to our audience, identifying regional trends and highlighting hip-hop from across the globe. As a Canadian-based music journalist, he has also made a concerted effort to put spotlights on artists hailing from North of the border as part of Rise & Grind, the weekly interview series that he created and launched in 2021. Aron also broke a number of stories through his extensive interviews with beloved figures in the culture. These include industry vets (Quality Control co-founder Kevin "Coach K" Lee, Wayno Clark), definitive producers (DJ Paul, Hit-Boy, Zaytoven), cultural disruptors (Soulja Boy), lyrical heavyweights (Pusha T, Styles P, Danny Brown), cultural pioneers (Dapper Dan, Big Daddy Kane), and the next generation of stars (Lil Durk, Latto, Fivio Foreign, Denzel Curry). Aron also penned cover stories with the likes of Rick Ross, Central Cee, Moneybagg Yo, Vince Staples, and Bobby Shmurda.
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